Magnifying Glass | CBSE Class 8 English Notes
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This note covers Walter de la Mare's poem "Magnifying Glass": the pictures before the poem, a stanza-by-stanza summary, the speaker and what the glass reveals, the poetic devices, tone and style, themes and message, key phrases, the links to lenses, telescopes and Indian astronomy, and answers to the textbook activities.
Who wrote "Magnifying Glass" and what is it about?
"Magnifying Glass" is a poem by Walter de la Mare, whose name is printed at the end of the poem. It is in Poorvi, the Class 8 English textbook, in Unit 5, Science and Curiosity, between the story "Feathered Friend" and the chapter on Bibha Chowdhuri.
The poem encourages students to explore perception, the way things are seen and understood, and mystery. The speaker looks at small, everyday things through a round glass, and a scrap of chalk, a patch of moss and a drop of water turn out to hold crowded hidden worlds.
A spider at work becomes a skilful, fierce hunter, and the last stanza turns to the moon.
The poem has six stanzas of four lines each. It fits its unit because it shows curiosity at work.
What do the pictures before the poem show?
The pre-reading page asks pairs of students to answer questions about the pictures on that page. In each, someone holds a magnifying glass:
- Two men sit cross-legged on a red mat in a garden. A white-haired man in a blue shirt holds a magnifying glass and raises one finger as he talks to a bearded man dressed in white.
- A man in a white shirt, grey trousers and glasses crouches low on a path, one hand on the ground, holding a magnifying glass over a trail of dark footprints.
- A man with glasses bends towards a leafy branch and looks through a magnifying glass at a small insect on a leaf.
- A girl in a pink dress, with a long plait, kneels on the ground and looks through a magnifying glass at plants, small white flowers and red-and-white spotted mushrooms.
Answers to the pre-reading questions
1. What is common in all the pictures? In every picture, someone is using a magnifying glass to look closely at something.
2. Which pictures are familiar? This depends on the student. One possible answer: the girl looking at plants, because many students have looked closely at leaves and flowers.
3. Why do the people need a magnifying glass? To see small details that the eye alone may miss: the footprints on the path, the insect on the leaf, and the plants and mushrooms on the ground.
4. What other instruments magnify objects? Magnifying spectacles, stand magnifiers, hand-held magnifiers and telescopes, all of which appear later in this chapter as visual aids.
II. What would the student use a magnifying glass for? One possible answer: "I would watch ants carrying food, because I want to see how their legs and feelers move."
What happens in the poem, stanza by stanza?
The poem moves from still, tiny things to a living spider, then to the glass's power and the moon.
Stanza 1: the glass makes magic talk
The speaker holds up a round glass and boasts that with it, Magic can be made to talk. Through the glass, a tiny scrap of chalk shows countless shells. The word myriad stresses just how many there are.
Stanza 2: moss and a drop of water
A patch of moss only an inch across becomes a whole forest with flowers and trees. A single drop of water looks like a hive of bees, so something that seemed plain and still suddenly appears crowded and busy.
Stanza 3: the spider spins
The speaker lies in wait and watches a spider at work. The spider is deft, or skilful, and it shoots out the woven silk of its web from its spinnerets. The glass lets the speaker follow this delicate work closely.
Stanza 4: claws, flies and eyes
The speaker exclaims at the spider's tigerish claws. The silly flies blunder into its net, and the stanza ends with an exclamation about "all those eyes". Under the glass, the small spider seems as fierce as a tiger.
Stanza 5: the glass outdoes itself
The speaker declares that there is not even the tiniest thing that this glass will not make more marvellous. Each time, the glass seems to surpass itself, showing even more than before.
Stanza 6: the moon
The speaker imagines looking at the moon through lenses like this one. The moon would then seem so close that a person could walk there in an afternoon.
Who is the speaker, and what does the glass let the speaker see?
The speaker is an unnamed "I" who owns the glass and calls it proudly "this my glass". The questions after the poem refer to this voice as both the poet and the speaker.
The speaker is curious, always looking for more to see; patient, willing to lie in wait and watch the spider; and easily delighted, as the exclamation marks show. In the last stanza the speaker turns from "I" to a general listener, so the wonder is shared with the reader.
The illustration beside stanzas 3 to 6 shows a child in pink night clothes on a bed, holding up a magnifying glass towards a spider in its web on the wall, with three small insects nearby. Through the window, a crescent moon and stars shine, so the picture brings the poem's spider and moon into one room.
What does the glass reveal about each thing?
| What the speaker looks at | What the glass reveals |
|---|---|
| A scrap of chalk | Countless shells |
| An inch of moss | A forest with flowers and trees |
| A drop of water | A sight like a hive of bees |
| A spider spinning | Skilful work, with woven silk jetting from its spinnerets, and tigerish claws |
| Flies near the web | Silly flies stumbling into the spider's net, and "all those eyes" |
| The moon, through lenses like the glass | A moon that seems near enough to walk to in an afternoon |
The word choice follows a pattern. The words for the plain object are words of smallness, such as scrap, inch and drop. The words for what appears are words of size and number, such as myriad, forest and hive.
What poetic devices does the poem use?
Stanza form and rhyme scheme
Each of the six four-line stanzas is a quatrain. The rhyme scheme is ABCB: in every stanza the second and fourth lines rhyme, while the first and third do not. Examples are talk and chalk, trees and bees, and moon and afternoon.
Which figures of speech appear? (Let us discuss III)
| Device | Example from the poem | Effect |
|---|---|---|
| Simile | A drop of water is like a hive of bees | Compares two unlike things using "like", so the drop seems crowded and busy |
| Metaphor | An inch of moss is called a forest | Says one thing is another without "like" or "as", so a tiny patch seems vast |
| Alliteration | "shells show"; "woven web-silk"; "make more marvellous" | Repeats the first sound of nearby words, making the lines musical |
| Personification | "Magic talk" | Gives the human act of talking to Magic, so the glass seems to speak for hidden things |
| Exclamation | The lines on the tigerish claws, on "all those eyes" and the last line | Shows surprise and excitement at each discovery |
| Inversion | "this my glass"; "itself surpass" | Changes the usual word order, letting the rhyme fall at the end of the line |
How does the poem use visual imagery? (Let us discuss IV)
1. In the line about shells in a scrap of chalk, the glass reveals the countless tiny shells hidden in a small, plain piece of chalk, an intricate pattern inside an ordinary object.
2. In the line that turns moss into a forest of flowers and trees, the nature imagery emphasises how much life and variety a tiny patch of moss holds when seen up close.
Why does the poet make these choices? (Let us discuss V)
1. The exclamation marks in the lines about the claws, the eyes and the walk to the moon express the speaker's wonder, surprise and excitement at what the glass shows.
2. "Magic talk" is personification because the glass seems to speak, revealing hidden wonders as if it had a voice of its own.
3. The pattern of a small object followed by its extraordinary details supports the theme of close observation, as the speaker reveals the wonders hidden in small, everyday things.
4. The final stanza shifts to the moon because lenses can bring even faraway objects within reach, widening the poem's wonder from the tiny to the vast.
What are the tone and style of the poem?
The tone is one of wonder and curiosity. The speaker marvels at each new discovery.
There is also a light, playful touch. Calling the flies silly and the spider's claws tigerish makes the tiny scene sound like a dramatic adventure, half funny and half fierce.
The style is simple and musical:
- Short lines of a few words each keep the poem quick and light to read aloud.
- Everyday words such as chalk, moss, water and flies sit beside richer ones such as myriad, deft, spinnerets and surpass.
- A first-person voice in the present tense lets the reader seem to look through the glass with the speaker.
- An old-fashioned contraction, 'Twould, meaning "it would", gives the last stanza an old-world sound.
- Concrete pictures replace explanations: the poem shows what appears and leaves the reader to feel the wonder.
What are the themes and message of the poem?
The power of close observation
The main idea is the transformative power of close observation through the magnifying glass. Looking carefully changes how the world appears.
Wonder hidden in ordinary things
Chalk, moss, water, a spider and flies are some of the most ordinary things around a home or garden. The poem suggests that nothing is truly dull, because even the tiniest thing becomes more marvellous when looked at closely.
Science and curiosity
The speaker behaves like a scientist: using an instrument, waiting patiently, watching carefully and noticing details such as spinnerets and claws. The poem shows curiosity as the starting point of discovery, which is why it belongs in the unit Science and Curiosity.
From the very small to the very far
The final stanza links the magnifying glass with lenses turned towards the moon, so the idea that reveals shells in chalk can also bring the sky closer.
Message: the world is full of hidden wonders for anyone willing to look closely, and simple tools of science, used with curiosity and patience, can reveal them.
What are the key phrases in the poem?
The poem is short, so a few key phrases carry most of its meaning. Each connects to a textbook task.
| Phrase | Stanza | Useful when writing about |
|---|---|---|
| "Magic talk" | 1 | Personification and the glass revealing secrets |
| "myriad shells" | 1 | Hidden, intricate detail in ordinary objects |
| "inch of moss" | 2 | Metaphor and the small becoming vast |
| "hive of bees" | 2 | Simile and collective nouns |
| "deft spider" | 3 | The spider's skill and the word "deft" |
| "tigerish claws" | 4 | The spider's fierceness and the suffix -ish |
| "itself surpass" | 5 | The growing power of the glass and the word "surpass" |
| "Eyeing the moon" | 6 | The shift to the sky and idioms with "eye" |
Short phrases like these work best inside the student's own sentences, followed by a line explaining what each shows.
What does the Let us explore section say about lenses and telescopes?
The Let us explore section links the poem to real uses of lenses. Its first part is about visual aids that can help children with low vision.
| Visual aid | Use or feature |
|---|---|
| Magnifying spectacles | Used for reading, threading a needle or doing other close-up tasks |
| Stand magnifiers | Sit over the object, leave the hands free and hold the lens at the right distance |
| Hand-held magnifiers | Come with or without built-in lights; usually smaller and lighter, to move over printed material, and can be moved more easily |
| Telescopes | Used to see objects or signs far away; some can even be attached to eyeglasses |
Which telescopes and observatories are described?
The second part points out that telescopes also use lenses, which connects with the poem's last stanza. It describes four instruments and observatories:
| Name | Location | Details given |
|---|---|---|
| The largest telescope in India for studying celestial objects | Nainital district, Uttarakhand | Commissioned in 2016; maintained and operated by ARIES (Āryabhaṭa Research Institute of Observational Sciences) |
| Indian Astronomical Observatory (IAO) | Hanle, Ladakh | A high-altitude astronomy station at an elevation of 4,500 metres (14,764 ft); supports optical, infrared and gamma-ray telescopes |
| James Webb Space Telescope | In space | The largest, most powerful and most complex telescope ever launched into space; launched by NASA on 25 December 2021; orbits the Sun at a distance of 1.5 million kilometres from Earth |
| Mauna Kea Observatory | Atop Mauna Kea, a dormant volcano on north-central Hawaii island, US | Operated by the University of Hawaii; at an elevation of 4,205 metres (13,796 feet); hosts facilities including the Keck Observatory and Subaru Telescope, for optical, infrared and submillimeter astronomy |
Mauna Kea suits observatories because of its high elevation, dry environment and stable airflow. The focus there is scientific research across the electromagnetic spectrum, and the Onizuka Center for International Astronomy offers visitor information, exhibits and guided tours of the summit.
A photograph at the foot of the page shows white observatory domes on a bare, reddish-brown mountain top, with a winding road. Students are asked to find out more about these places and discuss them with their science teacher and classmates.
What does the Let us explore section say about Indian astronomers and Jantar Mantar?
The third part of Let us explore introduces three ancient Indian scholars of astronomy.
| Scholar | How the scholar is described | Work named | Contribution described |
|---|---|---|---|
| Āryabhaṭa | One of the eminent astronomers of ancient India | Āryabhaṭiyam | The work laid the groundwork for astronomers in later centuries and is still important today; the book credits him with a heliocentric model of the solar system centuries before Copernicus, and with a scientific explanation of lunar and solar eclipses |
| Varāmihira | A sixth-century CE astronomer, philosopher and mathematician | Pañchasiddhāntika (Five Treatises) | An astronomical treatise that is a compendium of Greek, Egyptian, Roman and Indian astronomy |
| Bhāskarachārya II | A mathematician-astronomer | Siddhāntaśiromaṇi and Karaṇakutūhala | Contributed significantly to astronomical concepts; his works include compiled data on planetary positions, conjunctions and eclipses |
A heliocentric model is one with the Sun at its centre. The MacTutor History of Mathematics archive credits Āryabhaṭa with the idea that the Earth spins on its axis; whether his model placed the Sun at the centre is still debated by historians.
Beside the Āryabhaṭa entry, a man in orange robes points towards a drawing of the Sun with planets on curved paths around it, next to a photograph of a book cover titled आर्यभटीयम् in Devanagari script. Beside the other two entries are drawings of a man in an orange robe and a man in white, each set against planets or stars.
What is Jantar Mantar?
Jantar Mantar in New Delhi is an astronomical observatory with very large instruments for measuring and calculating the movements of objects in the sky precisely. It was built in 1724 by Maharaja Sawai Jai Singh II. The book calls it a UNESCO World Heritage Site, but the observatory on UNESCO's World Heritage List is the Jantar Mantar in Jaipur.
Jai Singh II built five such observatories. Besides the one in New Delhi, the other four are in Ujjain, Mathura, Varanasi and Jaipur.
Sources: NCERT, Poorvi, Textbook of English for Grade 8, Unit 5 Science and Curiosity, "Magnifying Glass", printed pages 222 to 232, which give the dates 2016, 2021 and 1724, and the listening transcript on pages 250 and 251. UNESCO World Heritage Centre, World Heritage List entry "The Jantar Mantar, Jaipur", checked 8 November 2026. MacTutor History of Mathematics, biography "Aryabhata" (last updated November 2000), checked 8 November 2026.
What are the answers to the textbook questions?
Let us discuss I: completing the summary
The blanks take these words from the poem:
- round glass
- chalk
- moss
- drop
- bees
- web-silk
- spinnerets
- moon
Let us discuss II: choosing the correct answer
- The main idea is the transformative power of close observation through the magnifying glass.
- The tone of the poem is wonder and curiosity.
- The poem has six stanzas with four lines in each stanza.
- The rhyme scheme is ABCB.
Let us think and reflect I: the extract from the first two stanzas
(i) False. The poet does not use magical powers on the glass. It is the round glass that reveals hidden wonders, which the speaker playfully calls making Magic talk.
(ii) The line "A myriad shells show", completed by the next line about the scrap of chalk, expresses intricate patterns in ordinary objects.
(iii) Comparing an inch of moss to a forest suggests that, through the glass, the speaker sees the world as far richer and larger than it looks; even a tiny patch holds a whole landscape.
(iv) B. Fascinated.
Let us think and reflect II
1. What is the significance of the spider? It is the main living creature the speaker watches at work. Its deft spinning and tigerish claws show both the skill and the fierceness of nature on a tiny scale, and watching it shows the speaker's patience.
2. How would the speaker's view change without the glass? The speaker would see only plain chalk, moss and water. The shells, the forest, the hive-like crowd and the spider's claws would stay hidden, and the world would seem ordinary.
3. Why does the poem end with the moon within reach? It widens the poem from the tiniest things to a faraway body in the sky, suggesting that lenses extend human sight both close up and far away, and that curiosity has no limit.
4. What is the speaker's attitude towards nature and observation? The speaker is curious, patient and full of wonder, treating nature as a source of marvels and observation as something almost magical.
5. Which is the student's favourite part, and why? One possible answer: "My favourite part is the drop of water that looks like a hive of bees, because it surprises me that something so still could seem so busy."
How are the Let us learn tasks answered?
I. Filling in the blanks
The box gives six words from the poem, and the passage praises an author's storytelling. One suitable set of answers: 1. marvellous (description), 2. woven (beautifully woven with fascinating details), 3. deft (storytelling technique), 4. myriad (emotions and feelings), 5. stumble (upon the twists), 6. surpass (all our understanding).
Blanks 1 and 3 can also take these two adjectives the other way round, since a deft description and a marvellous technique both make sense.
II. Collective nouns
The phrase "hive of bees" is a collective noun, a word for a group. The matches are 1 (iv), 2 (vi), 3 (v), 4 (iii), 5 (ii) and 6 (i):
| Column 1 | Matching word |
|---|---|
| a swarm of | locusts |
| a constellation of | stars |
| a grove of | trees |
| a troupe of | dancers |
| a battalion of | soldiers |
| a fleet of | ships |
III. Idioms with "eye"
The phrase "eyeing the moon" leads to six idioms with "eye". The matches are 1 (v), 2 (iii), 3 (i), 4 (ii), 5 (vi) and 6 (iv):
| Idiom | Meaning |
|---|---|
| apple of one's eye | a person who is very precious or important |
| in the blink of an eye | something that happens very quickly |
| keep an eye on something or somebody | watch something or someone closely |
| turn a blind eye | act as if one does not see or notice |
| see eye to eye | agree with each other |
| bird's-eye view | an overall look at something |
IV. Adjectives with the suffix -ish
The adjective tigerish adds the suffix -ish to the noun tiger. From the box (girl, glass, book, silk, boy, water, moon, scrap), the nouns that usually take -ish are girl, boy and book, giving girlish, boyish and bookish.
How are the listening, speaking and writing tasks answered?
Let us listen
Students hear a conversation between a father and his daughter about lesser-known Indian inventions. The page shows the girl telling her smiling father, in a speech bubble, that everyone talks about yoga and zero coming from India.
The daughter says radio broadcasting has roots in India: Marconi is usually credited, but Jagadish Chandra Bose, a Bengali scientist, conducted an experiment using microwaves before Marconi. She adds that fibre optics was pioneered by Narinder Kapany, an Indian physicist from Punjab.
She also explains that Snakes and Ladders was invented to teach children values, with ladders for virtues and snakes for evil. The father shares that the USB port was invented by Ajay Bhatt, an Indian-born engineer.
The task asks for four true statements, but the transcript supports only three of them: 1, 5 and 6. Statements 2, 3 and 4 do not match it:
- 1. True. The father did not know about radio broadcasting and calls it incredible.
- 2. False. The daughter calls the USB fact amazing.
- 3. False. The father remarks that even that simple game had deep roots.
- 4. False. The father is surprised and adds the USB example himself.
- 5. True. The daughter speaks admiringly of each Indian contribution.
- 6. True. The daughter is excited to share what she has recently found out.
Let us speak
I. For both /v/ and /f/, the lower lip lightly touches the edge of the upper teeth, and air flows through the small gap, making a soft friction sound. The /v/ sound has a vibration; the /f/ sound has none. The book lists "of" under end sound /f/, though in speech "of" ends with a /v/ sound.
| Position | Words with /f/ | Words with /v/ |
|---|---|---|
| Beginning | forest, flowers, from | vase, valour, victory |
| Middle | deft, afternoon | woven, even, marvellous |
| End | of, itself | hive |
II. Travelling to space. Beside this task, a boy with glasses imagines a reddish planet in a thought bubble. One possible answer: "I would visit a planet with a red-brown surface, like the one in the picture, to walk on another world. I would exercise and read about it first, and take a space suit, food, water, a camera and a magnifying glass."
III. A wonder invention. One possible answer: "I would invent a hand-held magnifier that also reads printed words aloud, so children with low vision could see the letters larger and hear them at the same time."
Let us write
The task is a conversation between Deepa and Asma of the Science Club, deciding on a model for a Science Fair. It should say where, when and with whom it happens; keep a suitable tone; include agreement and disagreement; use words in brackets for emotions or actions; and may use fillers such as Uff or Er.
In the given opening, Deepa says the Science teacher mentioned Asma's wonderful idea, and Asma hesitates. One possible continuation, in the science laboratory at lunch break:
Asma: Er… I want to make a model showing how magnifiers help children with low vision.
Deepa: (curiously) With all four kinds, from spectacles to a telescope?
Asma: Yes. Uff, but that may be too much for two people.
Deepa: (thoughtfully) Then let us start with the two magnifiers and add the others if there is time.
Asma: (joyfully) Agreed! Visitors can read the same page through each one and compare.
Glossary
- Magnifying glass: a lens that makes small things look larger than they are, like the round glass the speaker uses in the poem.
- Myriad: a very large, countless number of something, as with the shells the glass reveals in chalk.
- Scrap: a small piece or fragment of something, here a tiny bit of chalk that holds many shells.
- Moss: a small, soft green plant that grows in low patches; in the poem an inch of it becomes a forest.
- Hive: a home where bees live together in large numbers; a drop of water under the glass looks like one.
- Deft: quick, neat and skilful in movement, the word the poem uses for the spinning spider.
- Jets: shoots out in a quick, thin stream, as the spider does with the silk for its web.
- Woven: made by crossing or twisting threads together, as the spider's web-silk is described.
- Spinnerets: the parts of a spider's body from which its silk comes out, as the poem shows.
- Tigerish: like a tiger, fierce or wild; formed by adding the suffix -ish to the noun tiger.
- Stumble: to trip or move clumsily, as the flies do into the net; to stumble upon means to come across by chance.
- Marvellous: causing great wonder or delight; the glass makes even the tiniest thing more marvellous.
- Surpass: to go beyond or do better than something; the glass seems to surpass itself each time.
- Eyeing: looking at something closely or with interest, as in eyeing the moon through lenses.
- Quatrain: a stanza of four lines; each of the six stanzas of this poem is a quatrain.
Common errors and misconceptions
- Misconception: The poem has four stanzas of six lines each. Correct: It has six stanzas of four lines each, so every stanza is a quatrain.
- Misconception: The rhyme scheme is ABCD because the first and third lines do not rhyme. Correct: It is ABCB, because the second and fourth lines of every stanza rhyme.
- Misconception: The poet uses magical powers to make the round glass powerful. Correct: The glass itself reveals the wonders; "Magic talk" is personification, not real magic.
- Misconception: The drop of water and the hive of bees form a metaphor. Correct: They form a simile, because the comparison uses "like".
- Misconception: The speaker actually travels to the moon. Correct: The speaker only imagines that, through lenses like the glass, the moon would seem near enough to walk to in an afternoon.
- Misconception: The main idea is simply the wonders of nature. Correct: The main idea is the transformative power of close observation through the magnifying glass.
- Misconception: The telescopes in Let us explore have nothing to do with the poem. Correct: Telescopes also use lenses, linking them to the glass and to the moon in the last stanza.
Exam-style questions with model answers
Q1. In "Magnifying Glass", the speaker says that, seen through the glass, a single drop of water looks like a hive of bees. Name the poetic device used and explain what the comparison suggests. [2 marks]
- The device is a simile, because the drop of water is compared to a hive of bees using the word "like".
- It suggests that a drop which looks plain and still to the eye appears crowded and busy when magnified.
Q2. The poem has six stanzas of four lines each. In every stanza the second and fourth lines rhyme, as in talk and chalk, but the first and third lines do not. Name the type of stanza and state the rhyme scheme. [2 marks]
- A stanza of four lines is called a quatrain, so each of the six stanzas is a quatrain.
- Since only the second and fourth lines rhyme, the rhyme scheme is ABCB.
Q3. In stanzas 3 and 4, the speaker lies in wait and watches a spider. The spider is called deft, it jets woven silk from its spinnerets, it has tigerish claws, and silly flies stumble into its net. What three things does the glass reveal about the spider? [3 marks]
- Its skill: the word deft shows that the spider spins neatly and cleverly, shooting out woven silk from its spinnerets.
- Its fierceness: tigerish claws compare the small spider to a tiger, so under the glass it looks like a powerful hunter.
- Its success as a hunter: the silly flies blunder into its net, showing that the web works as a trap.
Q4. The poem moves in this order: a scrap of chalk, an inch of moss and a drop of water; then a spider spinning and catching flies; then the claim that the glass makes even the tiniest thing more marvellous; and finally the moon seen through lenses. Explain how this order builds the poem's idea. [4 marks]
- It begins with still, everyday objects, chalk, moss and water, showing that even the plainest things hold hidden detail when magnified.
- It then moves to a living creature, the spider, so the glass reveals not only shapes but also action, skill and danger.
- The fifth stanza sums up the glass's power, saying it makes even the tiniest thing more marvellous.
- The last stanza turns from the tiny and near to the vast and far, so the poem's wonder grows from a scrap of chalk to the moon.
Q5. The main idea of "Magnifying Glass" is the transformative power of close observation through the magnifying glass, and its tone is one of wonder and curiosity. In the poem, chalk shows countless shells, moss becomes a forest, water looks like a hive of bees, the speaker lies in wait to watch a deft spider with tigerish claws, lenses make the moon seem near, and several lines end in exclamation marks. Explain how the poem shows this main idea and tone. [5 marks]
- Close observation transforms a scrap of chalk, which shows countless shells, so a plain object is revealed as intricate.
- An inch of moss becomes a forest and a drop of water looks like a hive of bees, making tiny things seem vast and busy.
- Patient watching, as the speaker lies in wait, reveals the spider's deft spinning and tigerish claws, showing that observation also needs patience.
- The exclamation marks show the speaker's wonder and excitement at each discovery, which creates the tone.
- The final stanza imagines lenses that make the moon seem close enough to walk to, showing curiosity reaching beyond Earth.
Q6. Magnifying spectacles are used for reading and threading a needle; stand magnifiers rest above the object and are hands-free; telescopes are used to see objects or signs far away. Using each aid once, which aid suits each need: (a) reading with both hands free, (b) reading a sign across the road, (c) threading a needle? [3 marks]
- (a) A stand magnifier, because it rests above the object and is hands-free, so both hands stay free for the book.
- (b) A telescope, because telescopes are used to see objects or signs that are far away.
- (c) Magnifying spectacles, because they are used for threading a needle and other close-up tasks.
Q7. In the first stanza, the speaker says that with the round glass, Magic can be made to talk. Which poetic device does the phrase "Magic talk" use, and what does it suggest about the glass? [2 marks]
- The device is personification, because talking, a human action, is given to Magic.
- It suggests that the glass seems to speak for hidden things, revealing secrets that the eye cannot see on its own.
Key takeaways
- "Magnifying Glass" by Walter de la Mare is a poem in Unit 5, Science and Curiosity, of Poorvi, the Class 8 English textbook.
- The poem has six stanzas of four lines each, so every stanza is a quatrain, and the rhyme scheme is ABCB.
- Through the round glass, a scrap of chalk shows countless shells, an inch of moss becomes a forest, and a drop of water looks like a hive of bees.
- The speaker patiently watches a deft spider jet woven silk from its spinnerets, notices its tigerish claws, and sees silly flies stumble into its net.
- The last stanza moves from tiny things to the moon, imagining lenses that make it seem close enough to walk to in an afternoon.
- The main idea is the transformative power of close observation, and the tone is one of wonder and curiosity.
- Key devices are simile (water like a hive of bees), metaphor (moss as a forest), alliteration, personification ("Magic talk") and vivid visual imagery.
- The Let us explore section links the poem to magnifiers for low vision, telescopes and observatories, ancient Indian astronomers and Jantar Mantar.
Test yourself
Who wrote "Magnifying Glass"?
Walter de la Mare, whose name is printed at the end of the poem in Poorvi.
What does the glass show in a scrap of chalk?
It shows countless, or myriad, shells, revealing intricate detail inside an ordinary object.
What does a drop of water look like through the glass?
It looks like a hive of bees, a simile that makes the drop seem crowded and busy.
From which part of its body does the spider jet its silk?
From its spinnerets, as the speaker lies in wait and watches it spin its web.
Which adjective in the poem is formed with the suffix -ish?
Tigerish, made from the noun tiger, which describes the spider's claws.
Why does the poem end with the moon?
To show that lenses can bring even faraway objects within reach, widening the poem from tiny things to the sky.
In the listening conversation, who is named as the inventor of the USB port?
Ajay Bhatt, described by the father as an Indian-born engineer who helped revolutionise the way technology is used.
How is the /v/ sound different from the /f/ sound?
Both are made with the lower lip lightly touching the upper teeth, but /v/ has a vibration and /f/ has none.
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